Charles Lock Eastlake
English Painter, 1793-1865 English painter, museum director, collector and writer. Fourth son of an Admiralty lawyer at Plymouth, he was educated at local grammar schools and then, briefly, at Charterhouse, Surrey. Determined to become a painter, he began work in 1809 as Benjamin Robert Haydon's first pupil and as a student at the Royal Academy Schools in London. In 1815 he exhibited for the first time at the British Institution, visited Paris and studied the pictures in the Musee Napoleon. He achieved his first conspicuous success with a scene from contemporary history that he had himself witnessed,
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Charles Lock Eastlake The Champion (mk22) oil painting


The Champion (mk22)
1824 Oil on canvas,122.5 x 174 cm Birmingham,Birmingham Museums and Atr Gallery
Painting ID::  22814 		Charles Lock Eastlake
The Champion (mk22)
1824 Oil on canvas,122.5 x 174 cm Birmingham,Birmingham Museums and Atr Gallery
   
   
     
Charles Lock Eastlake The Salutation to the Aged Friar oil painting


The Salutation to the Aged Friar
c 1840 oil on canvas 94.5 x 112.9 cm (37 1/4 x 44 1/2 in) Forbes Magazine Collection,New York (mk63)
Painting ID::  27947 		Charles Lock Eastlake
The Salutation to the Aged Friar
c 1840 oil on canvas 94.5 x 112.9 cm (37 1/4 x 44 1/2 in) Forbes Magazine Collection,New York (mk63)
   
   
     
Charles Lock Eastlake view of the forum of trajan rome oil painting


view of the forum of trajan rome
1821 oil on canvas 38.1x90.2cm se
Painting ID::  68896 		Charles Lock Eastlake
view of the forum of trajan rome
1821 oil on canvas 38.1x90.2cm se
   
   
     
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     Charles Lock Eastlake
     English Painter, 1793-1865 English painter, museum director, collector and writer. Fourth son of an Admiralty lawyer at Plymouth, he was educated at local grammar schools and then, briefly, at Charterhouse, Surrey. Determined to become a painter, he began work in 1809 as Benjamin Robert Haydon's first pupil and as a student at the Royal Academy Schools in London. In 1815 he exhibited for the first time at the British Institution, visited Paris and studied the pictures in the Musee Napoleon. He achieved his first conspicuous success with a scene from contemporary history that he had himself witnessed,

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